| Last year, The New Yorker ran a long, flattering profile of the director Andrew Stanton, the Pixar veteran who was engaged at the time in reshoots for the troubled "John Carter." The article, by Tad Friend, noted some of the studio’s concerns about the initial cut of the film, which was Stanton’s debut in live action, but for the most part, its tone was highly positive, portraying Stanton as ... |
